
The People’s Quilting Bee
Public Pedagogy | Dr Sharbreon Plummer & Dr Jess Bailey
Plummer and Bailey met because of quilts and books. They reimagine the traditional quilting bee to bring thoughtful researchers together to reflect on quilting past and present while making art historical education more accessible.
The People’s Quilting Bee | Public Pedagogy
Stories have always been told at quilting bees: stories of legacy, of resistance, and of community care. Dr Sharbreon Plummer, independent curator and author, and Dr Jess Bailey, Lecturer in the History of Art, University of Edinburgh collaborate to re-imagine the quilting bee for public pedagogy. Their work is grounded in the rich and diverse histories of patchwork, connecting past and present practice as a mode of education that celebrates quilters as archivists of their communities.
Plummer & Bailey met when their quilting publications were jointly funded by the 2021 Geoffrey Squire Memorial Bursary for textile research awarded to Common Threads Press by the Costume & Textile Association.
The first iteration of their collaborative teaching was hosted by Tatter Blue Library in NYC in 2023.
Plummer & Bailey currently collaborate with Princeton University through the project Art Hx.
Meet Sharbreon & Jess
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Dr Sharbreon Plummer is an artist, scholar and quilt researcher whose work centers the lives and creativity of Black women through textiles. Her upbringing in southern Louisiana informs her interest in how culture and ancestral memory act as catalysts of personal expression. Her work has been supported by organizations such as Center for Craft and American Quilt Study Group. She is author of Diasporic Threads: Black Women, Fibre and Textiles from Common Threads Press and is a writer for QuiltFolk Magazine. You can learn more about her practice at sharbreonplummer.com and @sharbreon.
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Dr Jess Bailey is an art historian, writer, and quilter. She teaches histories of visual and material culture in the History of Art Department at Edinburgh University and holds a PhD in art history from UC Berkeley. Her research has been supported by fellowships in the US, Europe, and the UK. Bailey shares her own family tradition of hand quilting, yearly quilt fundraisers, and the many ways in which quilts are community care through @PublicLibraryQuilts. Bailey is the author of the zine Many Hands Make a Quilt: short histories of radical quilting from Common Threads Press.
Art Hx
2025, ongoing
Princeton | Oxford | Edinburgh
Lead by Dr Anna Arabindan Kesson, Associate Professor of African American and Black Diaspora Art at Princeton University, Art Hx brings together an international team of art historians to consider the intersections of heath, colonial legacies, and radical care through art.
In 2025, Dr Sharbreon Plummer and Dr Jess Bailey joined the project team. Among other contributions at the juncture of art history and art practice based research, they will program a public lecture series on Objects of Care, pairing contemporary artists and historic quilts.
To learn more about Art Hx explore the project website and follow on instagram for updates on public programming in the US, England, and Scotland.
Guest Teaching, November 2023
‘Quilting as Community Practice,’ contribution to BA curriculum, African American Studies & Art History Departments, Princeton University
Guest Teaching, January 2024
‘Quilt as Method,’ for Crafting Intersectionality, PhD Seminar, Bard Center Graduate Studies Center, NYC
The People’s Quilting Bee at Tatter Library NYC 2023
In 2023, we brought our collaborative teaching to Tatter Library in New York to program a lecture series and accompanying making circle fostering both quilting and political education grounded in history. Participants from around the world gathered online to learn from our guests and discuss the role of quilts in their own lives. Participants in our making ciricle were each guided through the full process of making a quilt, inviting them to reflect on how their hand activate histories.
Our guests ranged from university professors to practicing artists, based o the Navajo Nation to the American South. We centred Black feminist writing on quilts, visual and material culture. Lectures invited participants into specific situated histories while also unpacking useful vocabulary for thinking critically with art historical materials and how we write about artists.
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Lecture 1. Why Learn Quilt History? with Dr. Jess Bailey and Dr. Sharbreon Plummer
Join Dr. Sharbreon Plummer and Dr. Jess Bailey as they discuss the role of history and story telling in our lives as quilters. Why do quilters have an affinity for the past? And why is it so important to learn the diverse legacies of quilt history? What tools do we have as quilters and as historians of visual and material culture to stand in relationship with the historical depth of quilt work? Learn about Dr. Plummer and Dr. Bailey’s favorite historical quilts and how we can re-think the larger stories we have been told through the power of quilt history.
September 6th, 2023
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Lecture 2. Honoring the Foundation on Which We Stand with Jenn Steverson
Jenn Steverson’s work centers African Diaspora communities, and she looks to textiles to tell her things that were not preserved in written archives. She moves between material culture and written records to gain a fuller, richer picture of Black communities. These techniques are valuable because she is often forced to read against the grain of primary sources that are tainted by prejudice and dismissive of African Diaspora cultural practices.
In this lecture Jenn will speak about her artistic foundation which is African American craft traditions. She will review archival research techniques that she uses when working on a quilt or quilt inspired textile installation. She will focus in particular on cross referencing and the importance of citation when an artist is inspired by a specific artist, creative community, or region.
September 27th, 2023
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Lecture 3. Stitching Love and Loss: A Gee’s Bend Quilt with Lisa Gail Collins
In 1942 Missouri Pettway, newly suffering the loss of her husband, pieced together a quilt out of his old, worn work clothes. Nearly six decades later her daughter Arlonzia Pettway, approaching eighty at the time and a seasoned quiltmaker herself, readily recalled this cover made by her grieving mother within the small African American farming community of Gee’s Bend, Alabama. Centering this quilt made in mourning and the memory of its making, I ask with reverence: How might a closely crafted material object–a pieced together quilt–serve the work of grieving a loved one as well as illuminate the perseverance and creativity of the quilters in this rural Black Belt community?
October 18th, 2023
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Lecture 4. Honoring Our Ancestors with Susan Hudson
Ya a’ tey, (Hello) Susan Hudson yii niish yii (I am Susan Hudson) Kee Yaà áanii nish lii’ (I am born of the Towering House People Clan) Deshchii’ Nii ii’ ee baa’ shish chiin’ (I am born for the Apache People Clan) Taabaa ii’ ee’ daa’ shi chei (My maternal Grandfather is from the Water Edge People Clan) Naaki’ Din na ii’ ee daa’ shi Naah lii’ (My paternal Grandfather is from the Apache People Clan) I live in Tooh Haltsooi (Sheep Springs, NM) on the Navajo Reservation. To ensure that our Ancestor’s stories are never forgotten, I have made a mark on the Native Quilting world, and to open the doors for those that will come after me. To show that it has taken generations of Native quilters to help me become the artist that I am. The honoring of our ancestors, those that lived, cried, shed blood, and died so we are able to be here and to tell their stories.
November 8th, 2023
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Lecture 5. Quilting, Queerness, and Community with Grace Rother and Sunny A Smith
What does it mean to queer quilt history and how might we begin to engage with queer patchwork traditions? How have quilts been used as records of identity in the past? Drawing on local quilt archives, broader queer history, and their own relationship with the craft, quilter Grace Rother and artist Sunny A Smith pull a thread of connection between the current climate of queer resilience and the handwork of the past. Join them in digging through the quilting legacies on record to find seeds of queerness and marvel at the power in creating something both soft and sturdy to tell your story.
November 29th, 2023
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Lecture 6. Quilting New Futures with the Past with Dr. Sharbreon Plummer and Dr. Jess Bailey
In our culminating lecture and discussion, Dr. Sharbreon Plummer and Dr. Jess Bailey explore how quilt makers can work in relationship with the past and offer advice for starting your own journey of quilt research. What do we want to do with the past, old stories, and deep historical legacies as quilters? How do we begin traditions if we don’t come from a quilting family and how do we continue them amongst blood and chosen kin? We will highlight examples of thoughtful research and collaboration from our own journeys and explore tools and tips for researchers of all levels. Reflecting and gathering together wisdom from our group of speakers across The People’s Quilting Bee, we will also have a quilt show and tell. Bring yourself and the quilt you have worked on while attending the lecture series.
December 20th, 2023